Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Emma Ekwall
Portratt forestallande Maria Dominica Ricci

ID: 90156

Emma Ekwall Portratt forestallande Maria Dominica Ricci
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Emma Ekwall Portratt forestallande Maria Dominica Ricci


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Emma Ekwall

painted Stilleben med frukter in 1838-1925  Related Paintings of Emma Ekwall :. | Smygrokande gossar | Stilleben med frukter | Smygrokande skomakarlarling | Handarbetande flicka | Smygrokande gossar |
Related Artists:
Peder Monsted
Danish, 1859 - 1941
Jan Van Eyck
1395-1441 Flemish Jan Van Eyck Locations Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.
Nils von Dardel
Swedish, 1888-1943,Swedish painter. After a short time at the School of Art in Stockholm, which he found too conservative, he travelled for the first time to Paris in 1910. There he immediately made contact with the Scandinavian artists who were pupils of Matisse and with them made his debut in Stockholm in 1912 as a member of the Man of the Year 1909 group. Under the influence of Cubism, Dardel painted a townscape of Senlis, in a style that eventually developed into the sophisticated naivety of Funeral in Senlis (1913; Stockholm, Mod. Mus.).






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